Encounter Music (a subsidiary of Encounter Music and Creative Services)
ARRANGEMENTS/SPIRITUAL

Brian Casey (ASCAP)
Encounter Music & Creative Services
62 S Genesee St
Fillmore NY 14735
970.590.2995

EncMusic@rochester.rr.com
http://home.roadrunner.com/~encounter/encmuscs.htm

Many of the arrangements listed below were completed by special arrangement with the publishers and cannot be sold.
While you may contact the arranger for details on how to obtain and utilize the songs, we encourage only serious inquiries.
It may be advantageous to purchase sheet music from a major music publisher, but if you have no other sources available,
we can in most cases make copies available to properly licensed parties for a nominal engraving/handling charge, as appropriate.

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TITLE	Voicing/Difficulty Level (1=easy)	Composed	Description
Adeste Fidelis	SSA/SATB/Tpt/Tbn/Piano/Timp^3	2003	The familiar carol! A showy, yet dignified finale for your holiday concert. For three treble soloists (may be collapsed to one or two), SATB choir, piano, brass, and percussion. Unfinished
Agnus Dei	SAB^1	1991^H	A wondrously repetitive arrangement of Michael W. Smith's tune reiterates “Alleluia! For our Lord God Almighty reigns! Holy are You, Lord God Almighty. Worthy is the Lamb!” Vain repetition this is not!
All My Heart	SATB divisi^4	2005	Every time I noticed this tune, a 17th-century setting of a translation of a German text, in the hymnal, I was attracted to the purity of its adoring thoughts.  This interesting choral setting uses meter changes and minimal divisi. Suitable for advanced   high school and collegiate choirs.
Ancient of Days	T/SATB^4	1995	Invigorating “island” rhythmic patterns and Biblical words of worship and high praise abound in this song. Tenor solo in the bridge.
And Can It Be? (Amazing Love)	TTTBB^4	1992	GLAD'S recording moved many; this is a transcription of the voicings on their “Acappella Project” album. Some harmonies are close; solid bass and tenor descant are needed.
Another Time, Another Place	SAATTB/Solo^4	1993	Sandy Patti and Wayne Watson made this Dove award-winner famous. This adaptation uses alternating male and female solos and lets loose with a powerful “out” chorus. “My heart's been burnin' . . . for another time . . .”
Anthem	SSATTBB^3-4	1990	As sung by GLAD, this powerful call to praise puts the marvels of Heaven within our reach, but more important, it lifts us up to touch the One who lives there. Unique, majestic words of glory and praise fill the skies!
Barocha	SATB^3	2000	Michael Card’s simple, tuneful Barocha is a blessing in the truest sense. This arrangement, which begins, as in the original, with a solitary voice, is smooth and unpretentious. If you’re not using “The Lord Bless You” as a closer, consider this one.
Be Still and Know That I Am God	SATB^1	1990	A meditative song loved by believers with varying tastes, it helps to satisfy the craving for the transcendent God. Simple arrangement is singable by any group.
Benediction	SATB^1	1999	A universally appealing, hymn-style selection, Benediction emphasizes seeing the face of the Lord at the end of all things. Congregationally singable!
The Blessing In Praise  RealAudio	SSAATTB^3	1999	With predominantly simple SATB writing, this worship and praise medley combines some well-known worship and praise songs with some lesser-known ones. The music is blended to create an opportunity for a praise team to lead in the ways of worship. A small portion of the music is presentational, but most is congregational.
Break My Heart	SATB^1	1997	This simple, touching song of yearning before the Lord was written by a Texas youth associated with Lubbock Christian University. Clint (last name unknown) has winged his way into the hearts of many other young souls, and, I strongly suspect, well into the heart of God.
Breath of Heaven	SAA^3	1993	Amy Grant made the prayerful, humble musings of Mary come to life in this song. This rendering (of the chorus only) is easily sung by three ladies. “Breath of Heaven, hold me together; pour over me Your holiness!”
Coloring Song	SSA^2	1986^H	Keith Lancaster recorded this song with His Image. Each verse describes a different color symbolically, with the color's taking on spiritual significance, i.e., “Blue is the color of a heart so cold . . . .”
A Common Love	SATB^1-2	c. 1981	Now familiar to many, “A Common Love” is arranged to solidify familiar harmonizations. If your group sings this song but experiences uncertainty in improvising the harmony, this arrangement will help.
Conquerors/Thanks Be To God	SAATTBB^3	1993	A 3-part “We've Been Made More Than Conquerors” is appropriately followed by the up-tempo rendition of I Cor. 15:57.Our victory in the Lord is at the forefront!
Constant	SSAATTBB^5	2001	Out of the Grey’s poignant expressions of 1) God’s constancy and 2) desire for reflection of that constancy from the individual Christian. This is a difficult a cappella arrangement that should be attempted only by strong music readers with good ears.
Coronasia	SATB^3	2003	A familiar hymnic theme is that of the Lord as King. This composition reappropriates portions of the well-loved hymns “All Hail the Pow’r of Jesus’ Name,” “Crown Him With Many Crowns,” and even “Joy to the World,” among others. A quasi-fantasia on familiar hymns to the reigning Lord. Unfinished
Coventry Carol	SAB^1	1985	The lyrics to this traditional Christmas carol are moving and intense, the arrangement simple and pure.
The Cross of Christ (medley)	SAB^2	1986^H	“The way of the cross” is the theme of this collection of well-loved hymns and gospel songs. “When I Survey” and “Jesus, Keep Me Near the Cross” are included. Optional solo.
Draw Me Close	SSAATTBB^5	1999	No perceptive participant in contemporary Christian worship in recent years could  have avoided being drawn in by "Draw Me Close," a beautifully intimate offering by the Katinas.  This arrangement is for an agile a cappella group with finely tuned ears and a keen sense of rhythm (though it uses minimal vocal percussion effects).
El Shaddai	SATB/optional flute^3	1993	Alto lead a la Amy Grant is backed up by voicings that follow the original instrumental version. Keyboard, mellow bass, and flute part make a nice combo if a solo is desired.
Father God	SATB^2	2006	The composer of this beautifully simple prayer is unknown to me.  The song is sung regularly by the Westview church, where I learned it, was moved by it, and was impressed to standardize the music.
Father, We're Your Children	SATB^1-2	1993	The chorus of a song by Chris Christensen makes a lovely congregational prayer for unity. Simple melody, effective harmonies.
First Noel, The	SSA^3	2001	A three-part arrangement based on traditional harmonization.
Flesh of His Flesh	SATB^2	1993	This is a beautiful expression of what it means to be the Body of Christ—a song of holy unity from Michael Card, arranged a cappella and singable by almost any group.
Gentle Healer	AATB^4	1994	Looking at the notation may actually detract from the remembrances of the Master Healer who really did walk through Galilean towns and who touched and impacted lives, but having this written out can be just what is needed to perform this extraordinary piece.
Give Me the Eyes of Jesus	SATB^2	1997	Terry Lafferty ministers to Christians, and if his life message even remotely resembles the Christ-orientation of this song, Terry has an amazing influence for the Lord. Let me see things and people with the eyes of Jesus!
Give Me Jesus	SATB^3	2000	The spiritual Give Me Jesus is a captivating expression of devotion — regardless of circumstances. Recently revised and recorded by artist Fernando Ortega, it is singable by a congregation and is worthy of the time spent to internalize its thoughts and well-matched music.
Go and Tell John	SAB^2	1987^H	Lloyd Pfautsch wrote the choral version; this reworking simplifies the music behind the energetic message Jesus sent to John the Baptizer. If you're telling the story of Jesus in song, this is a must sing addition to your program.
God's Own Fool	A/SATB^4	1995	Though the Christian life is simple, it is also complex and paradoxical. Michael Card's invitation to follow the life of Jesus highlights the foolishness that is perceived by the world. The piece moves in syncopations and hemiola, featuring an alto soloist and all altos and sopranos.
Great Are You, Lord	SATB/Descant^2	1994	Steve and Vikki Cook's majestic, wholly worshipful ode can take you up into a whirlwind of praise. Arrangement with soprano (or tenor) descant on the repeat gives new wings to this moving, God-honoring, contemporary hymn.
Great Divide	SSAATTB^5	1997	Point of Grace’s hit single arranged for pure voices. Features piercing unisons in the treble parts and powerful accompaniment figures in the tenor and bass. You’ll be surprised at the effectiveness of this a cappella rendering of such a crucial, core Christian message.
He Is the One	ST^2	1993	Dave Shultz's song is taken directly from Revelation 1: “He is the one who loves us, who made us free from our sins ...”The 2-part setting allows for total concentration on the words of praise.
He'll Do Whatever It Takes	Bar/SATB	1996	Phillips, Craig, and Dean recorded this song—a poignant depiction of grace. Smooth, flowing accompaniment complements the baritone solo line. Singers and hearers are guaranteed to be moved as the reminder penetrates: “His grace reaches lower than your worst mistakes.”
Hold On	Solo/Piano^2	1994	Mariann Snyder's first effort at songwriting is dynamic, compelling, and encouraging. The message is that since Jesus Christ has won the war, we can hold on during the daily battles.
Holy Lamb of God	SB^2	1994	A simple but beautiful ode to the spotless Lamb. Men are echoed by women in the first section; then the singers collectively raise voices in majestic praise.
Hosanna	SSAAATB^4-5	1995	Melodie Tunney's song is singable but powerful in this a cappella setting. An alto soloist is featured, but melody lines are passed around. Surprise ending expresses the meaning of “Hosanna.”(Thanks to David Tao for the initial work.)
Household of Faith	SATB^3	1987^H	Steve Green made this famous; dual meaning of the lyrics makes it appropriate for churches as well as weddings and home settings. Soprano or tenor solo opens the piece. Experience the strengthening offered in this powerful song!
How Can I Keep from Singing?	Sop solo / SATB^3	1998	An a cappella rendering of Enya’s serene prayer. Accompaniment sings “oo” through most and accents key phrases with lyrics. With a tasteful, lyrically flowing soprano soloist, this piece will deeply touch the hearts of many a listener.
How Great Is Our  God	SATB^3	2006	Written by Chris Tomlin and friends, this song is probably already moving toward "Shout to the Lord"status among churches that sing contemporary songs.  This arrangement features an echo-style (women, then men) situating of lyrics in the verse, then a full setting of the chorus.  The bridge that adds the words "Name above all names" is set in two-part harmony for contrast.
How Majestic is Your Name	SATB^3	1995	Michael W. Smith's classic praise song is given an a cappella boost (credit for the idea to Keith Lancaster) in the chorus.
I Stand In Awe of You	SATB^2	1995	A beautiful song of worship the character of which is easily detected by meditating on its title. Simple, direct, adoring worship is offered to God by the singers.
I Want To Know Christ	SATB^1	1990	Unison beginnings of phrases emphasize the determination of the lyrics as singers repeat the Apostle Paul's words in the presence of others who also want to know Him.
I Will Offer Up My Life	SATB^2	1998	Composer and worship leader Matt Redman’s song of total surrender is musically simple, inviting believers to assume the posture of a grateful worshipper who gives his all.
I Will Praise Him, Still	SATB^2	1997	This remarkable, simple song of devotion is a real gem. Its message of resolution to praise the All-Powerful, Faithful One has touched my spirit deeply. Composer Fernando Ortega’s gifts certainly include the capacity for pure, heartfelt worship.
Immanuel	SATB^3	1992	Michael Card's original warmth is intact in this proven arrangement. Soprano solo begins; expands to quartet. Dynamic climax at “There is no depth or height that can ever separate us from the love of God in Christ.”
In Christ Alone /  I Am Crucified	T/SATB^4	1996	Life resides in the Christ alone; everything is because of Him, from first to last. In the first section of this cohesive medley, a tenor solo is featured. The alto section is featured in the second section, and the respective choruses are overlaid at the end for a dramatic, Lord-honoring finale.
In the First Light	SSAAATTBB^4	1994	It's not difficult to make this piece ring with eager praise of the Savior. Three poignant stanzas, with different voices on the melody, take the listener—powerfully—from considering Christ as Babe to realizing He is the Coming King.
Infant Holy, Infant Lowly	SA^1	1985^H	This beautiful lullaby-like song is perfect as a duet or for all your ladies. Easily learned though the alto part includes suspensions and varying rhythms.
Jesus, Draw Me Ever Nearer	SATB^2	2006	This heartfelt prayer was co-written and recorded by Margaret Becker and has been moving me ever since.  The a cappella arrangement is simple enough to be sung by any congregation, yet it does have character.  "May this journey bring a blessing ... with Your likeness let me wake."
Jesus, Let Us Come To Know You	ST^2	1993	Michael Card's lyrics and tune; fitting countermelody for tenor by the arranger. Refreshing and sincere, the song is a heartfelt expression for a closer relationship with Jesus.
Joy to the World Midi	SATB^3	2003	A cappella setting of the familiar carol. Completely recognizable, yet infused with spice,  energy, and vibrancy.
Jubilee	T/SATB^5	1994	“Jesus is our Jubilee!” exclaim Michael Card's lyrics, reminiscing about the Israelites' Year of Jubilee in which slaves were freed and debts were forgiven. Active, celebratory accompaniment; lead could be a single tenor. Invigorating!!
Keeper of the Door	A/SATTB^4	1993	Twila Paris's original is re-created in this a cappella adaptation for alto solo. Paramount is the beauty of the thought from the Psalms: I'd rather be a servant—a keeper of the door—near to God than outside His courts.
Knowing You, Jesus	SATB^3	1998	Expansion of Jeff Nelson’s arrangement of this Graham Kendrick classic as a foundation. A wonderfully unique worship song. “You’re my all. You’re the best!”
Light the Fire	SATB^2	1997	A heart-plea for connection with God who will “fan the flame” to “make me whole. ”This arrangement has the basses on the melody in the chorus, with sopranos, altos, and tenors on the countermelody echo.
Lord, I Lift Your Name On High	SATB^2	1997	A straightforward arrangement of a popular praise song. Two-part echo at the beginning; four parts in the chorus. A second, complementary verse is added by the arranger.
Lord, I'm Keepin' My Eyes On You	SATB^1-2	1993	Simple arrangement with parallel harmonies—easily sung by any group, though young people are particularly moved by this Twila Paris chorus. Additional verses by the arranger and by Wade Bates.
May I Call You Father?	SATB^1-2	1980	If you've never seen a viable written arrangement of this contemporary classic prayer song, try this one. Smooth harmonies add to the meditative nature.
My Heart, My Mind, My Body, My Soul	SATB^1	1993	Part of worship involves the attitude of complete submission to the One worshipped. Jeff Nelson's sweet prayer needs no attention paid to the music as it leads you into devotion before the Lord.
My Savior, My God	SATB^2	2006	Aaron Shust's song was relatively new on the radio in 2006, and I was asked to arrange it for our church.   This is a relatively simple, echo-based arrangement with the rousing, solid chorus "My savior loves; my   Savior lives ..."
O Come, O Come, Emmanuel	TTTB^3	2001	Each part sings the melody for at least a few measures in this arrangement based on traditional harmonization.
O Holy Night	ST duet^3	2001	Vocal duet arrangement of the well-loved Christmas song.
On Bended Knee	SATB^1	1993	Pure “life response” worship is encouraged in this meditative arrangement. One cannot help feeling closer and more devoted when he's come before the Father to sing this song.
Pierce My Ear	SATB^1	1995	In the Apostle Paul's theology, being a willing bondservant of Jesus is key. This song of submission to the Master draws from the ancient practice of ear-piercing in those who wished to indenture themselves to masters they wished to serve for life.
Praise To the King	SATB^1	1993	A very simple praise chorus from Debbye Graafsma, slightly adapted for congregational singing. This one deserves to be repeated much—perhaps as a call to worship.
Praise Your Name, O Jesus	SATB^1	1988	With lyrics slightly altered in order to make this a song of direct worship, this arrangement also eliminates some of the uncertainty experienced by those accustomed to improvising harmony where it hasn't been written or has been ineffective.
Psalm 139	SATB^2	1997	Rebecca St. James’s intimacy and passion is unequaled among contemporary artists. This musically simple prayer is eminently personal, grateful, and cognizant of grace. “You will always love me even though You know.”
Rabboni!	SATB^3	2001	Only slight modifications have been made to Ken Young’s powerful original. This arrangement improves the voice leading and uses a soprano solo.
The Reason We Sing	SSAATTBB^5	1996	Originally recorded by First Call, this piece utilizes the capacities of human voices to proclaim and laud Jesus as the Reason for all singing. The song features the upper three voice parts and has a joyful flavor throughout.
Riu Sciu	SSA^3	1986	Remember the Monkees?They sang this archaic Spanish song about the Christ, and it's arranged here for women. Loose translation available.
Sanctuary	SATB^2	1993	A popular song of personal devotion to the Lord. With or without the common descant, there is great potential for individual meditation on becoming a better temple, or sanctuary, for God.
Thanks Be To God (medley w/”Conquerors”)	SAATTBB^3	1993	(see above under “Conquerors”)
That’s Why We Praise Him	SATB^3	2000	An a cappella arrangement of Tommy Walker’s original that shouts some of the reasons to praise our God. Overlapping chorus parts provide the opportunity to sing antiphonally, creating a thick texture of praise.
Two Meditations	S/SATB^2-3	1987	Easy choral arrangement of “Create In Me a Clean Heart, O God” and “Be Still and Know That I Am God. ”Soprano solo. Peace is conveyed in the singing of this beautiful music.
Unity Medley	SAT^3	1994	Written for the occasion of the uniting of the women's auxiliary organizations from two Christian colleges. The well-known Bind Us Together, God's Family, and three others are included. Beautiful trio harmonies.
We Are Heirs of the Father	SATB^1	1993	A song of victorious recognition of our identity. Only three stanzas are used in this straightforward arrangement, but there are more, and this song lends itself to improvisation of new stanzas.
Warrior Is a Child	A/SATTBB^4	1988/1995	A soulful meditation on Christian living and the spiritual battle, this song was written by Twila Paris and co-arranged by David Tao. The lyrics express that faithful, trusting children of the Father always need His affirmation and security.
We Bow Down	SATB^2	1995	An arrangement of Twila Paris's original song of worship is singable by any group. Standard harmonies accented by a few added fills.
We Declare That the Kingdom of God Is Here	SATB^3	1994	Rhythmic and emphatic, this song fully captures the powerful arrival of the Kingdom of God. Syncopated, exciting music; a great program opener.
We Fall Down	SATB^2	2000	An a cappella arrangement of Chris Tomlin’s original that pours out worship to the Lord. “And we cry, ‘Holy, holy, holy is the Lamb!’”
We Will Worship the Lamb of Glory	SATB^3	1997	A wonderful Dennis Jernigan song of worship abandoned to the Lord we love and wish to glorify. Sometimes the world won’t understand our devotion or manifestations of it. “We’ll just tell them we’re loving our King.”
Were You There?	TTBB^3	1982^H	The spiritual comes to life in this powerful rendering for male voices. Modulations help to create the increasing energy as the singers progress from the cross to the resurrection.
What a Difference You've Made In My Life	SATB^3	1986^H	The pop love song takes on new meaning in the context of a believer's change of life as a result of knowing Jesus. Consider this piece for weddings, also.
Winner Man	4 vocal percussion/SAT^3	1996	At a live worship event, I heard this seemingly innocuous, Jamaican-style praise tune, and it has stuck with me! Simple tune and predictable, I-IV-V harmony, but dependent on the vocal percussion for the feel of celebration in Jesus who is the “Winner Man all de time”!
Worship and Praise Medley #2 RealAudio	SATB^3	1999	(see above under “The Blessing in Praise”)
Worthy Is the Lamb	SATB^3 / lead sheet	2006	Darlene Zschech's cross-centric worship anthem arranged for a cappella churches, drawing on Ken Young's original arrangement.  Lead sheet also exists.
Worthy of Worship	SATB^2	1993	A little-known contemporary worship chorus, this worthwhile song needs singing! Repetition is recommended as you move your spirit toward the Father in honest worship.
Ye Christian Heralds	TTBB^4	1983	Powerful, gospel-spreading fervor is stirred in the singing of this song. Word pictures are vividly transferred into the music, and the ending befits one of the goals of evangelism, too—the final crowning of the Lord of All!
You Are My God	SATB^2	1993	Worship doesn't get any more pure than this: “You are my God. You are my King. You are my Master, my Everything. You are my Lord. That's why I sing to You. Hallelujah!”
You Are the Light Of the World	SATB^2	1993	“How could there be any darkness in me if You are the Light of the World?” and other, similar questions are asked as singers worship Jesus in this song. A perfect Lord's Supper prelude.
You Have Called Us Out Of Darkness	SATB^3-4	1993	The compelling chorus from a Hosanna! contemporary worship song makes a great call to worship or an opener in your program. “We rejoice in Your power of light!” is the exclamation of praise.
You’re Worthy of My Praise	SATB^2	1999	A song that expresses the pure desire to worship energetically and with the whole self. “I will give You all my worship!” Unison women echo men during the verses.
Your Grace Still Amazes Me	TTB^3-4	2002	Phillips, Craig, and Dean original arranged for three men’s voices (no accompaniment). Minimal part-crossing. An intimate personal expression (read: emotional and quite possibly tear-producing) of awe in the face the timeless grace of our God.

Last updated 2/26/09