Encounter Music (a subsidiary of Encounter Music and Creative Services)
ORIGINAL/SPIRITUAL

Brian Casey (ASCAP)
Encounter Music & Creative Services
62 S Genesee St
Fillmore NY 14735
970.590.2995

EncMusic@rochester.rr.com
http://home.roadrunner.com/~encounter/encmuscs.htm

http://home.roadrunner.com/~encounter/blcasey/homepage.htm (personal)

The music of Encounter Music is

• Often scripture-impelled
• Often related to real experiences and to real people
• Consistently faith-fueled
• Driven by a desire to foster genuine encounter with YHVH God

Encounter Music & Creative Services is registered with CCLI (Christian Copyright Licensing, Inc.)
Administrator No. P152098.  Congregations with the CCLI license may freely use this music. Others may purchase music online, using PayPal or checks/money orders through the U.S. mail) for payment.

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Linked titles may be viewed and heard (but not printed or saved, generally) online.  If you are interested in obtaining any of the songs for personal, small group, congregational, or other use, please contact the composer for terms. 

Thank you for your interest.

TITLE	Voicing/Difficulty Level (1=easy)	Theme/ Character	Composed	Description
A Chosen People	Congreg/Guitar^3	Christian identity/unity, general praise, scripture, energetic worship	2004	Written on a beautiful June afternoon while contemplating the upcoming Fourth of July weekend and our tremendously more significant identity as a Christian nation, this song exudes warmth and confidence. Its lyrics are drawn from concepts in 1 Peter chapters 1 and 2, and it is lovingly dedicated to some dear, Christ-honoring siblings in Atchison and Leavenworth, Kansas.
A New Song	SATB^2	Meditative praise	2006	The larger part of this simple song was written by Randy Gill and shared at a conference as a springboard to free, improvisatory worship. Without his knowledge, I made a couple of minor modifications and added a contrasting "B" phrase.
All Creation Sings Your Praise	Congreg/Accomp^2 SATB^2	Nature/praise, energetic worship	2006	Inspired while on a wonderful hike during a church camping trip with some great Christian siblings. Easily singable, and it's also available in an a cappella arrangement.
All That I Am for All You Are	SATB^2-3	General worship, Christian living Youth	1998	Written for teens at Camp Manatawny, this worship song gives expression to the notion of offering all of ourselves — the good, the bad, the losses, and the successes — to God. No matter the condition in which I find myself today, “Here I am surrendered,” and I must give my all to His All.
An Hour In Your Presence	Congreg/Accomp^2 SATB^2	Contemplative worship Hymn	1993	Simple, pure worship in the presence of our gracious God. In the center of the throne room is awesome power, and this flowing, contemporary worship chorus helps one to be aware of it. Available in solo (lead sheet) or SATB versions.
As For Me	SATB^2	General worship, scripture	1993	Taken from Psalm 17:15.Easy to catch on to; chorus repeats several times with one voice part dropping out each time. Iterations encourage meditation on being with God forever.
Behold the Glories	SATB^1	General worship Hymn	c. 1983	Words by the young Isaac Watts were his first; this is also the composer's first hymn tune. Singable praise of Jesus. Recorded by the Harding A Cappella Alumni Chorus, August 1997.
Break Down the Wall	Solo/Accomp^4	General worship	1995	A song of passionate appeal to God to remove barriers between Him and the would-be worshipping follower. Even in our weakness and sin, we want with all our hearts to enter into His presence. He will graciously break down the wall if we will let Him.
Calling On You	Solo/Piano^3	Prayer, deep need	1996	Emerging from a spiritually “dry” period can be challenging to faith. Try this song as a means of buoying renewal. Inner struggles are apparent, and yet a determination to trust in God rides high.
Can I Believe?	SATB^2	Prayer, deep need, general worship	1991	Half of this piece is two-part only (soprano and tenor).It was born out of a time of deep need of the Lord. Harmonically simple; built on I and ^bVII chords.
Come Into My Heart of Hearts	Solo/Piano^3	Prayer, deep need Youth	1994	Without God inside us, we are destined to fail Him. Remember the strength He offers! The song is a humble, passionate expression for God.
Come To Me	SATB^3-4	Christian living, scripture	1996	A book by Gary Collier helped illuminate Jesus' “invitation” (Matt. 11:28-30).This song, from Jesus’ viewpoint, captures the passion of the anti-Pharisaic message of Matthew. Alternating bass soli and SAT trio compel that Jesus, Whose desire is mercy and not sacrifice, will lighten our load.
Come, Thou Almighty King	Solo/Organ [pno]	Father-worship Hymn	1997-2002	Pompous chords establish the regal atmosphere for this setting of modified Isaac Watts lyrics. Trumpet parts may be adapted from the piano score.
Communion	Solo/Piano^2	Communion	2003	For most of my adult life, I have had a lover’s quarrel with the set of practices we ritualistically call “the Lord’s Supper” or "communion." Frankly, the experience has rarely drawn my spirit as it has longed to be drawn. Yet there are many riches to be explored in communing—vertically, with the Christ, as well as horizontally, with the siblings. These lyrics are some of my best: “Anticipating holy fire/meeting You is our desire.” “Mystery of Your own design/It’s more than a memory, we find.” “Sweet communion!”—may we reach in all directions to make the experience sweet, “as often as we do it.”
Coronasia	SATB^3	Jesus-worship	2003 [unfinished]	A familiar hymnic theme is that of the Lord as King. This composition re-appropriates portions of the well-loved hymns “All Hail the Pow’r of Jesus’ Name,” “Crown Him With Many Crowns,” and even “Joy to the World,” among others. A quasi-fantasia on familiar hymns to the reigning Lord.
Emmanuel	SATB^2-3	Jesus-worship, scripture Hymn	1991	“A carol to our Lord inspired by the writings of John,” reads the subtitle. Beautiful, singable melody; easily learned by any a cappella group or adaptable for solo and small, acoustic ensemble. Recorded at the Ritchie Family Reunion, August 1992.
Eyes to the Sky	Solo/Piano^3	Nature/praise, energetic worship	2005	A wide-eyes expression of praise to the Creator of nature, with emphasis on the beautiful scenery so easily beheld in Montana, the "Land of the Sky."
Faithful	Solo/Guitar^3	Father-worship, commitment/trust	2005	One of my best solo songs, this is an expression of submissive confidence in the Lord's faithfulness.
Father, Hear the Prayer We Offer	SATB^1	Prayer, deep need Hymn	2003	A captivating new hymn tune for the worthy, submissively prayerful text. In minor. Easily singable by any congregation or choral group.
Find Favor In Me	Solo/Piano^2	Prayer, deep need	2004	A prayer seeking security as new paths are travelled. Suitable for congregational use.
First Thing In the Morning	SSAT^5	Father-worship	1994-96	This work's initial impetus was Isaac Watts’s hymn Early, My God, Without Delay, yet the contemporary flair is apparent in the use of close, modern harmonies and rhythms, as well as up-to-date phrasings of thoughts from Psalm 63.
For Ever With the Lord	SATB^1	Heaven/future Hymn	c. 1984	Lyrics by James Montgomery; an early hymn-style effort. Effective minor-to-major tune begins each stanza in unison for emphasis.
From Ev’ry Stormy Wind	Solo/Piano^2	Contemplative worship	1997-2002	We all need a retreat from the storms of life. To know that mercy is found in Jesus is of ultimate comfort. A new tune and a new mood for these comforting, contemplative words.
Give My Words Wings	SATB or Solo/Piano^2	Contemplative worship	1994	At times, we can't find words to express worship. With its serene-yet-passionate tune, this song will aid in times alone with the Lord, as you always depend on Him even for words through which to worship Him!
Glimpses of Your Glory	SATB^2	Father-worship, scripture, energetic worship	1992	Emphatic in style, this piece could be adapted for a soloist with a lot of power in his or her voice. The lyrics spring from O.T. encounters with the living God to modern-day desire for the same.
Glory and Power To Jesus	SATB^1-2	Jesus-worship, heaven/future Hymn	1994	Following an exceptionally praise-filled assembly, God gave this congregational hymn. As it is sung, worshippers emulate those who, even now, circle the throne giving honor and glory to the Lion of Judah.
God Above	Solo/Guitar^3	Father-worship, nature/praise	2005	Co-written with my wife Karly, this effervescent praise song properly contrasts the notion of "lifting one's eyes to the hills" with the actually significant notion of the ultimate source of help -- not the mountains, but the Lord.
God of Heaven	Solo/Accomp^4	Father-worship, prayer, deep need	2005	Sometimes we feel we're hearing God's voice and sensing His leading, and then the situation changes so drastically that we find we must've been mistaken. In these times, we return to statements of trust like those of Moses and David in Psalms 90 and 91, and we ask the Lord of all generations to show again the depth and breadth and length of His love for His pilgrim children.
God of the Storm	Solo/Accomp^5	Father-worship	2003/04	The lightning storms and tornadic activity in the Midwest are frequent reminders of God’s might. With material taken primarily from Job and the Psalms, the singer is reminded to “worship the Lord in the splendor of holiness” when faced with His awesome power. Unfinished
He Is Our God	Two-part^2	Father-worship, nature/praise	2001	Conceived on a drive under the Heartland sky, this is an accessible praise song that uses an echo (leader/congregation or men/women) in the verse. God is Creator of the beauty we see; we live and move because of His expansive power; and yet He is faithful, devoted Parent to each one.
He Rose Up	SATB^3	Jesus-worship	2001	A song of resurrection-day praise to Jesus. He has conquered! Inspired by Chuck Smith’s Sunday morning message at Camp Manatawny, June 24, 2001.
Holy Fire	SATB^2	Father-worship, scripture, energetic worship	1996	Jeremiah 20:9 relates that God is in our hearts “like a burning fire,” and that concept formed the theme of a teenage retreat for which this song was written. Simple, unison echoes (men/women) in the verse, and a forceful, full-chord plea to “fan the flames of my desire” in the chorus.
How Awesome Is His Name	SATB^3	Father-worship Youth	1992	God gave Katie Meadows these lyrics in 20 minutes at a youth retreat. The chorus is particularly compelling, and the song works equally well as a solo with accompaniment by a small ensemble.
Hungry, and Faint, and Poor	Solo/Strings^1	Contemplative worship Hymn	2003	An extraordinarily subdued, mystifying new tune for a (slightly modified) set of words that have drawn me since I was a teenager. I am nothing without my God, and regularly I approach His door, knocking again to receive from His generous hand.
I Am, and I Am With You	SATB^2	Father-worship, scripture	1994	Lyrics by Sarah Meadows . . . a reassuring word from God set to an appropriately victorious, simple tune.
I Am Not Ashamed	Two-part^2	Commitment, trust	2003	Not that the old tune and lyrics were bad, because they’re still regularly sung ... but I wanted to update this energizing song of devotion and desire to hold fast. Most of the original thoughts are present and/or expanded. Two-part echo construction, except for last three measures SATB.
I Behold You	SATB^1	Contemplative worship, scripture Hymn	1994	The humble believer is in is element while singing this hymn, which relates the spiritual perception of the Son to the purifying, soul-stirring vision of the Father of Isaiah 6. In beholding the Son, we see the Magnificent One and worship Him. Recorded by the Harding A Cappella Alumni Chorus, August 1997.
I Believe God	Melody only^1	Children's song,  commitment/trust	1987	Written to support a Christian camp theme from the book of Joshua, this is a simple, declamatory chorus that expresses firm trust in God to lead.
I Believe In God	Melody only^1	Children's song,  commitment/trust	2006	Written for children at the Westview Church, to support a faith-developing series on reasons to believe.
I Hold On To You	Solo/Accomp^3	Commitment/trust	1994	There is only one thing worth holding on to, and His name is Jesus. This piece, musically and lyrically passionate, is a personal expression of loving commitment to Jesus. “Clinging to You, there's a clearer view. . . .”
In the Bread and Wine	SATB^2	Communion	1995	In the chorus, we plead with the Lord to imbue the Body with His life. A simple, intimate, unison melody forms the opening prayer and then becomes a 2-part round to close the piece. Moving as a personal, “anytime” prayer or during corporate communion.
In the Halls Of My Mansion	SATB^2	Heaven/future, general praise	1992	This song, musically reminiscent of a familiar folk ballad, was born out of a distinct image of Heaven that God provided during a time of personal worship.  Works well with solo and guitar.
In the Heavenlies	SATB^4	General worship	1993	Worship occurs primarily in the supernatural/spiritual realm; this song is musically challenging while conveying this and other important messages from the Ephesian letter. In a “triumphant minor” mood.
In the Stillness of the Morning	ST/SSAATTBB^4	Jesus-worship	1993	Resurrection Morning was not likely as jubilant as is sometimes envisioned. Meditative and intense, this song can be sung by as few as 7 vocalists, omitting doublings. Opening soprano/tenor duet.
Is There a Place For Me?	Solo/Backup/Accomp^4	Prayer, deep need	1995	Borne of searchings for “my place in this world,” this is a child's cry to his Father for security and a sense of worth in the midst of troublesome questionings. Rhythm section accompaniment with two backup vocals (optional).
It Is Because of Him	SATB^2	Christian identity, general praise, scripture	1995	Taken from 1 Corinthians 1:30-31, this memory chorus emphasizes the Lord Jesus as the One from Whom we derive our identity. Singable by any group.
It Is Finished	Solo/Accomp^3	Jesus-worship, communion	2004	A spiritually charged, personal expression of devotion to Jesus for His finished work at the cross. Subdued, almost mystical music.
Jesus, Lord and Saviour	SATB^2	Jesus-worship, Christian living Hymn	1985	Sweet, flowing, hymnic in style. Worshipful lyrics, inspired primarily by Charles Sheldon's In His Steps, convey longing to be devoted to following the Master at every turn. Recorded by the Harding A Cappella Alumni Chorus, August 1997.
Just One Friend	Solo/Accomp^3	Commitment/trust Youth	1995	There are lonely times in our lives in which our souls cry out for just one true friend. We are needy before the Lord, and the support of fellow Christians is crucial, but it is Jesus who will ever be the True Friend. You'll enjoy this lively song.
Keep In Step With the Spirit	S/SATB^3	Commitment/trust, scripture	1992	A lively song sung to each other puts fire in a disciple's walk. Predominantly two-part, the final chorus includes an ad lib soprano descant; more contemplative tag reminds of the essence of the Spirit.
Keep Not Our Eyes	SATB^2-3 / Reader	Jesus-worship, scripture Hymn	1992	The two Emmaus-bound disciples were kept from seeing Him. Worshipping in a flowing 6/4, though, singers of this song yearn to recognize, to see Jesus. A reader relates Biblical manifestations of Jesus during “oos.”
King Jesus	SATB^3	Jesus-worship, scripture	1992	A familiar, loosely translated parable forms the basis for this song in which loving subjects are transitioned from an earthly to a “heart” concept of His rule. Vigorous, catchy chorus; ends meditatively.
Let Me See You	Solo/Accomp^3	Prayer, deep need	2001	This life has the capacity to obscure our view of the Lord who so wants to illuminate every corner of our existence, and so we beg Him to open His arms, to welcome us . . . to let us see Him through it all. Prayerful lyrics by Karly Nawrocki, supplemented by a traditional poem “Only What’s Done for Christ Will Last.”
Light of the World	SATB^2	Jesus-worship, prayer, deep need Youth	1997	A retreat in the North Central Pennsylvania mountains centered on the meaning of the scriptural descriptions (names) of Jesus. In the three verses of this brief song (which can dovetail with Michael Card’s “You Are the Light of the World”), the worshipper expresses a need for and gratitude for the illuminating presence of Jesus.  Verse 2 by Bret Lewis.
Little Piece of Heaven, A	Solo/Accomp^3	Heaven/future, Christian identity/unity Youth	1998	I did a lot of growing while a teenager at Camp Manatawny in Southeastern Pennsylvania. My return to work there for a week as an adult was marked by some extremely wonderful emotions. The song is a tribute to the teens from Sr. High II Week of 1998.
Long Time	Solo/Accomp^3	Prayer, deep need	1997	These thoughts are born out of a long period of distance from God (a “desert”). A soulful prayer rises, begging for the light of Deity to guide. The song calls for a strong voice that can communicate a determined readiness to “stake a claim in the power of His name,” but there are also weaker mournings of the perceived ocean between God and His child.
Lord Above All	SATB^3	Father-worship Hymn	2004	A hymn whose first stanza was written in 5 minutes one afternoon. (Thank You, Creator God, for making us in Your image.) Dedicated to my parents, who continue to instill in me a love of great hymns.
Lord of All	3-part^2 SATB^2	Contemplative worship	2004	Written while driving in Kansas one afternoon, this congregational worship chorus is attractive and singable. Available as a solo in leadsheet format, or in SAB, SSA, or SATB voicings.
Lord of Our Life	SATB^1-2	Contemplative worship Hymn	c. 1984	Samuel F. Smith wrote the lyrics long ago for this early hymn of the composer. Worship of God is paramount as the creatures humble themselves in singing praise set to resonating harmonies.
Lord, I Call To You	Solo/Accomp^4	Energetic worship	1993	With a “rock” feel, this song is compelling to the contemporary ear. Brief and repetitive, energizing modulation to ^bIII for bridge. Full scoring for alto backup, 2 keyboards, bass, brass, vibes, drums.
Lord, I Want To See	SATB^2-3	Prayer, deep need, Jesus-worship Hymn	1992	Worshipful, intense and personal; draws from Jesus' healing of a blind man as well as from the composer's grandfather's personal experience. Equally effective as a solo/could be unaccompanied.
May Your Glory, Lord, Fill This Place	Solo/Accomp^3	General worship	1993	Room-filling sonorities of major- and minor-seventh and added ninth chords provide a powerful vehicle for yearning for the Glory of the Presence to overwhelm. Melody is lingering; thoughts are from II Chron. 6 and 7.
Morning Freshness Gives Thee Glory	SATB^2	Father-worship Hymn	2001	A traditional hymn setting of Mary Lea Thompson’s 1969 devotional lyrics. At any time of day, the Lord may be found: “Calm of evening . . . Thou art ling’ring in the shades to give Thy blessing.”
My Soul Is Free	Solo/Piano^3ANDSATB^3	Hymn	1995	A faith-journey on the occasion of the death of a loved one is the subject of these lyrics by Ernie DiStefano. With an underlying, compelling desire to go on to the arms of the Father, the deep thoughts of one bereft are set to music that is filled with tender intrigue and then with triumph. Choral (SATB) version is as effective as the original.
No One But You	SATB^2	Prayer, deep need, energetic worship	2001	Times of disillusionment are not the only times we must look to God as the Only. No one to make us strong but Him. No one to breathe His Spirit into us . . . none but Him so worthy of praise.
Noah, Noah	Melody only^1-2	Children's song, commitment/trust	1993	Written for a five-year-old Sunday School class, the chorus is brief, “hip,” and easily sung by youngsters. The teacher/leader tells the story, from Noah's perspective, in semi-rap fashion.
Not To Us	SSAATTBB^5	General praise, energetic worship	1992	Though the execution of the difficult passages in this piece might call attention to the performers, the thought (Psalm 115) is that ONLY the Lord must get the glory. Predominantly 4-part/8-part at end.
One Who Sees Me, The	Solo/Accomp^2	Prayer, deep need, contemplative worship	2003/04 [Unfinished]	Inspired by Wineskins Magazine Managing Editor Greg Taylor’s article about Hagar, this moving song speaks to the deep places in each one of us that, though a feeling of distance and abandonment may surface, realizes that God sees, knows, and cares.
Others	SATB^1	Christian living Hymn-style	1984	Encouraging an others-focus in our lives, these anonymous lyrics are well wedded to a simple hymn tune that is easily sung by any group.
Our Defender	Solo/Accomp^2	Contemplative worship	2005	Co-written with my wife Karly, this is a subdued song of worship and trust--"God, You are our constant shield ... Father, our defender, no one loves like You." An ad lib bridge allows the opportunity for worshipful repetition.
Peniel (The Face of God)	Solo/Accomp^3	Prayer, deep need, contemplative worship, scripture	1997	Struck by Walter Wangerin Jr.’s vivid oral account of Jacob’s wrestling with Yahweh, I began to think of the face of God. What would it be like to see the face of God?This earnest meditation seeks to trace the hand of God not only in His encounter with Jacob. Could our dark nights yield to illumination, to a realization that “angelic energy is the Father’s love for me”?
Praise the Lord, O My Soul	Two-part/SATB^2	Children's song,  nature/praise,	2003	While hiking in my God’s grandeur that is Glacier National Park, feeling nothing less than exuberantly grateful for His creation, this song just popped out of my soul and onto my lips. The tune’s a little child-like, but hey, that’s how I felt in His presence that wonderful morning. Echo construction in the calypso-like chorus; four-part in the slower, minor-key verses.
Prayer	SATB^2 or  Unison/Accomp^1	Prayer, deep need Hymn	2006	A prayer or CenterPeace, a glowingly conceived and inspiring support group. Simple and singable--especially sung in unison, pitched lower, with guitar accompaniment -- though the original vocal harmonies are beautifully serene.
Promise, The	Solo/Accomp^3	Jesus-worship, commitment/trust	1996/7	Knowing of Jesus’ rising after three dark days, we can be encouraged in our own dark times. With an air of mystery aided by a Landon Saunders thought and a spoken T.S. Eliot poem at the end, this song attempts to communicate hope in the throes of darkness, fear, and doubt. Original lyrics by Rob McRay, supplemented by the composer.
Psalm 77	SATB^3-4	Prayer, deep need	c. 1981	The opening is a short fugue which depicts a tense cry to God in time of trouble. Though an early work of the composer, the music gives wing to the Davidic motif of praising the Lord regardless. Handwritten.
Put Your Heart At Ease	SAB/opt. guitar^2	Christian living Youth	1992	This song was co-written by a teenager, Wade Bates, who thinks deeply about having a peaceful heart. Simple, semi-country style. Encourages living for God in order to feel at ease.
Remembering You	Melody only^1	Communion Hymn	1992	This unison hymn serves beautifully as a prelude to the Lord's Supper. Only eight measures long, it's a beautiful vehicle for focusing the believers' thoughts before they partake.
Rock of Ages	Solo/Accomp^2 SATB	Contemplative worship	1997	The beauty of dependency on the Christ is at the core of these hymn lyrics, which Christians should have in their hearts always. Completely new music, with a hauntingly contemplative melody in the Dorian mode; some lyrics are updated/renewed. Available in solo (lead sheet) format or in a special SATB arrangement that could feature a soloist or all sopranos.
Rushing Wind	Solo/Strings^2	Contemplative worship	1995	A stirring prayer to the Spirit-wind of God to blow through the soul.  Dennis Jernigan’s lyrics are re-set to a tune with yearning in its character. Could serve well as an unaccompanied solo during group prayer which invites self-examination.
Separated	Solo/Accomp^4	Jesus-worship, energetic worship	1996/7	After witnessing a rather humdrum “Easter Service” but noticing the conviction of those leading it, I resolved not to let my heart become dull to Golgotha. Jesus was “separated from holiness,” but my heart need not be separated from His love. Strong rock; emphatic music and lyrics.
Sing Out To You	Solo/Accomp^3	Nature/praise, energetic worship	2002	Often I am inspired by the beauty God has placed in the natural world. In drawing attention to such occurrences as gentle rains and mountain grandeur, this congregational praise song, co-written by Karly Nawrocki, encourages believers to sing out praise to the Lord in harmony with His world.
Song for a Princess	Solo/BGV/Accomp^3	Prayer, deep need Youth	1997	A prayer for the healing of a special young girl who crossed (and left, just as quickly) my life path. “Lord, keep her in Your loving hand.” Pop style.
Stand Up and Praise	SATB^3	General praise, energetic worship	2006	Inspired by a Zoe Group confererence's attention to Nehemiah 9:5, this is a compact call to worship with "umph"--singable by any modern "praise team," and, soon after hearing it once or twice, by most congregations.
Strong Is Our God	SATB^1-2	General worship, Father-worship Hymn	1983	As fortified and majestic as the ring of its title, this hymn was written in response to a cry, from the leader of a seminar on praying in the Psalms, for more hymns of praise from today's musicians.
Sweet Caravan to the Sod I Loved	Solo/Guitar^2	Commitment/trust, heaven/future	1993	Life’s fullness brings incredible emotion at times. My mother’s lyrics were written with a precious event firmly in mind:a memorial caravan to the old homeplace of Granddaddy Ritchie. It’s as if he were there in the flesh—watching, loving, appreciating, encouraging. . . .
Thank You, Oh, My Father	SATB^1	Contemplative worship Hymn	1984	The lyrics of Melody Green, already used in a Keith Green favorite (unbeknownst to a young composer), are here in a more hymnic (unauthorized) setting. An expression of thanks to and longing for the Father.
The Balm of the Night	Solo/Guitar & Strings^3	Contemplative worship	1994	The poetry of Tracie Whitfield (at 16!) is remarkable in its mature sense of beauty and abandon, and the song is an attempt to capture the mood of a peace-bringing walk in the woods with God.
The Bridge	Solo/Piano^3	Commitment/trust Youth	1995	Lyrics by Mike Francis express the emotion felt upon coming to a difficulty in life. Though there are difficult valleys, “He provides the bridge” to cross them, all the while offering us hope of being with Him forever.
The Cross	SATB^2	Contemplative worship, Jesus Hymn		These lyrics by Ernie DiStefano, set to a traditional hymn tune, are a very personal, ardent expression of adoration and gratitude for the work of our Savior Jesus on the cross.
The Gift	Solo/Accomp^2	Prayer, deep need	1996/7	Lyrics by Ernie DiStefano manifest a deep desire to be compelled in the Christian life by the nearness of God. A plaintive melody.
The Son of God	SAB^2	Jesus-worship Youth	1986	For youth and youth-at-heart who want to encourage friends to “come and meet my friend—the son of God,” the syncopations really are quite easy to catch on to. You'll enjoy Winston Hamby's lyrics.
There You Are	Solo/Accomp^3	Energetic worship	2004	Contemporary worship, singable by an even mildly “hip” congregation. “There You are—Morning Star. Near and far, there You are.”
This We Proclaim	SATB^3	Christian identity/unity	2004	Dedicated to the Northland Mission Church in Kansas City, this song is a foundational statement of congregational identity. Pointing to the Lord and His fellowship as the letter of 1 John, small groups as well as larger congregations will benefit from this solid faith statement.
To Soar	Solo/Accomp^3	Prayer, deep need, commitment/trust Youth	1997	Every now and then, God gives us mountaintop experiences. Written for a very special friend who had not always “soared,” this is a prayer from her perspective, as it were—both physically, as she stood at a high place and looked out over amazing sights, and spiritually, as she views life from “on top of the world” with God. God, be with her powerfully; enable her to soar.
To the One Who Sits On the Throne	2-part^2	General praise, energetic worship	1995	A part-indirect, part-direct song of lavish praise to the Father and to the Lamb. Simple tune—easily learned—which is developed into a rousing round. A perfect “new song” of praise for any group!
Together We Can	SATB^2	General praise, Christian identity/unity, commitment/trust Youth	1994	Commissioned for a thematic tie-in at a Christian camp, this song uses syncopated rhythms in a catchy tune. Voices are symbolically brought into unison at the end. Togetherness finds its highest calling in pointing each other to the Lord!
Waiting To Hear From You	Solo/Piano^3	Prayer, deep need	1993	If King David had lived today, He might have written this prayer—a humble, needy expression of desire to please His God. The chorus could be a repeating fade-out:“God, I'm on my knees. I'm waiting to hear from You!” Lyrics by Dave Shultz.
Wanting To Be In Touch With the Father	SATB^4	Energetic worship, Jesus-worship	1994	At a loss in attempting to discern His will?“ Getting to know His heart” and sinking into union with His Spirit, we'll be able to determine spiritually how best to please Him. The song is intense, determined, and it moves!
Warm Me With the Son	Solo/Piano^3	Christian living, prayer	2001	Heart-to-heart conversations with Jeff Bogue led to his sharing some wonderful lyrics he'd been working on. A passionate confession, this is a spiritual travelogue with appreciable drama.
We Are Pilgrims	SATB^2	Christian living Hymn	1986	Scripture often teaches us that we don't belong in this world permanently. This song reminds us of our heritage in spiritual pilgrimage with 4 verses (in a minor key) enveloped by 2 liberated, joyful choruses.
We Meet To Remember You	Melody only^1	Communion Hymn	1992	This uncomplicated, eight-measure chorus brings out Paul's ideas of proclaiming Jesus until He comes and unified partaking of the Lord's Supper. Can be learned in no time and is easily harmonized ad lib.
We Meet To Remember You   (2)	SATB^2	Communion	2006	Essentially the same brief text as the 1992 version, but the tune here is Mixolydian and perhaps aided by guitar accompaniment until the four parts are learned. Useful as a communion meditation ... perhaps repeatedly, during an extended Lord's Supper experience.
What a Sweet Thought	Solo/Guitar^2	Heaven/future	2003	My best friend once longed openly for her home, and I will never forget it. That’s why this updating of “One Sweetly Solemn Thought”—a song in which the Christian openly and starkly revels in the notion that his time to move toward the Throne is imminent—is dedicated to her. The song also honors the life of the late Elma Lea Holladay Hook, wife of Cecil Hook, who has, in my friend Cecil’s words, moved into the “land of the eternally living.”
When God Whispers Your Name	Solo/Piano^3	Christian living	1995	Lyrics were inspired in Wade Bates as he read Max Lucado's book by this same title. An introspective song that manifests a passionate belief. Inspiring!
Where Would We Be Without You, Lord?	SAB/descant^2	Contemplative worship Youth	1992	The worshipful thoughts of Rochelle Rose, combined with soulful, plaintive music with a sinking alto line, work well with 3 vocalists and guitar or a cappella. “You are the answer!” cry the lyrics, emphasized by the descant.
Who May Ascend? (Psalm 24:3-4a)	SATB^3	Energetic worship	1998	Written for the Westminster Church of Christ as we considered together the very special approach to God’s throne. Who may ascend to worship?Those who have pure hearts. Women echo men as the simple verse trumpets the questions, and the chorus confidently responds.
With My Eyes Wide Open	SATB^3	Christian living	1994	In his counseling profession, lyricist Terry Thomas is determined to keep a spiritual focus in the face of much “smooth talk” and Godless lying in the world. Jazzy, accented musical style highlights deep, forceful feelings.
Won By One	SATB^3-4	Jesus-worship Youth	1994	Though we were unworthy “prizes” for His saving effort, Jesus was the One who was willing to give it all to win us. Written for our church youth group to complement their slogan/logo, this song also served as the theme song for a terrific, Christ-honoring retreat.
Worshipping You Alone	Solo/Piano3	Contemplative worship	2002	A mountaintop worship “chorus” from Revelation anchors this contemporary anthem. Congregationally singable. Bridge captures the heart: “Bowing down to kiss Your feet, this worship makes my life complete.”
Yahweh-Rophe	Solo/piano or guitar^4	Contemplative worship, prayer	1998	Psalm 23 took on fresh meaning one morning at a pre-workday prayer meeting. A comparatively effortless project, this is my addition to songs of countless “psalmists” who have set these thoughts of David to music. Verses have an air of mystery in 7/4 and in a minor key. The effervescent, melodic chorus asks Yahweh to continue His kind, devoted, daily leading.
You Are God	SATB^2	Energetic worship	2004	Simple, congregational praise song. Acclaims God for Who He is, expresses devotion, and concludes with a "Hallelujah! Amen!"
You Are Inescapable	SATB^3-4	Energetic worship Youth	1992	Teenage lyricist Rochelle Rose wrote the up-to-date, God-honoring words—perfect for the worshipping youth group. Challenging key change at the bridge, but the expressive vigor of the music impels people to praise with this song. He is Awesome in power . . . surrounding me this hour!
You Are My Child	S or T/A/B^1-2	Contemplative worship Youth	1996	Sometimes we hear voices that seem to tell us we're worthless. This simple song, written for a retreat, draws the worshipper's attention to the loving, parental voice of God. Lead (representing God's voice) can be either male or female.
You Who Seek God	SATB^3	General praise	1993	This modern-day Psalm affirms, with an effective unison opening, God's continual seeking after hearts who love Him. A memorable “echo” chorus creates the effect of resounding, continual praise. You'll be singing all week!
Your Love	SATB^3	Contemplative worship	1997	When Max Lucado opens his mouth, poetry from God flows (and I am inspired!). This song is an intimate reflection from child to loving Father on the gently parental, caring, providing love that flows from heaven to earth. As Max says, God loves me far too much to leave me where I am . . . He is continually molding & transforming me.
Your Will Is My Desire	Solo/Piano or Guitar^2	Contemplative worship	2003	The antecedent lyrics are from the hymn “My Jesus, As Thou Wilt,” a beautiful expression of utter submission. Four stanzas are collapses into three, with such expressions as “my anxious thoughts dissolve in Christ alone,” “the hunger of my soul grows stronger every hour,” and the concluding “I say with all my heart, ‘His will be done.’”

Updated 02/26/09